Basic Concepts

Abrams, M.H. 1999. A Glossary of Literary Terms. Seventh Edition. Fort Worth: Harcourt Brace.

Ahrens, Rüdiger et al., eds. 1995. Handbuch Englisch als Fremdsprache. Berlin: Erich Schmidt.

Barthes, Roland. 1988 [1968]. “The Death of the Author.” Modern Criticism and Theory. A Reader. Ed. David Lodge. London/New York: Longman: 167-172.

Bassnett, Susan. 1997. Studying British Cultures. London: Routledge.

Bromley, Rogers; Jessica Munns and Gita Rajan, eds. 1995. A Cultural Studies Reader: History, Theory, Practice. London/New York: Longman.

Brooks, Cleanth and Robert Penn Warren. 1976. Understanding Poetry. New York: Holt, Rinehart and Winston.

Corbett, Edward P.J. 1971. Classical Rhetoric for the Modern Student. New York: Oxford UP.

Culler, Jonathan. 1997. Literary Theory. A Very Short Introduction. Oxford: Oxford UP.

Derrida, Jacques. 1978. “Structure, Sign and Play in the Discourse of the Human Sciences.” Writing and Difference. Ed. Jacques Derrida. Boston/London: Routledge: 278-293.

Drabble, Margaret, ed. 2000. The Oxford Companion to English Literature. Oxford: Oxford UP.

Duff, David, ed. 2000. Modern Genre Theory. Harlow: Longman.

Eagleton, Terry. 1996. Literary Theory. An Introduction. Second Edition. Oxford: Blackwell.

Eagleton, Terry and Drew Milne, eds. 1996. Marxist Literary Theory. A Reader. Oxford/Cambridge, Mass.: Blackwell.

Foucault, Michel. 1981 [1970]. “The Order of Discourse.” Untying the Text: A Post-Structuralist Reader. Ed. Robert Young. Boston/London: Routledge: 48-78.

Fowler, Alastair. 2000 [1982]. “Transformations of Genre.” Modern Genre Theory. Ed. David Duff. Harlow: Longman: 232-249.

Fowler, Roger. 1981. Literature as Social Discourse. The Practice of Linguistic Criticism. London: Batsford Academic and Educational.

Gross, Ronald. 1973. [Found Poem]. Open Poetry: Four Anthologies of Expanded Poems. Eds. Ronald Gross and George Quasha. New York: Simon and Schuster.

Holman, Clarence Hunt and William Harmon. 1992. A Handbook to Literature: Based on the Original Edition by William Flint Thrall and Addison Hibbard. Sixth ed. New York: Macmillan.

Jahn, Manfred. "Minima rhetorica."

Jakobson, Roman. 1960. "Linguistics and Poetics: Closing Statement." Style in Language. Ed. Thomas Sebeok. Cambridge, Mass.: MIT Press.

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Klarer, Mario. 1995. Einführung in die anglistisch-amerikanistische Literaturwissenschaft. Darmstadt: Wissenschaftliche Buchgesellschaft.

Korte, Barbara; Klaus Peter Müller and Josef Schmied. 1997. Einführung in die Anglistik. Stuttgart: Metzler.

Lodge, David, ed. 1988. Modern Criticism and Theory. A Reader. London/New York: Longman.

Moore-Gilbert, Bart. 1997. Postcolonial Theory. Contexts, Practices, Politics. London/New York: Verso.

Nünning, Ansgar, ed. 2001. Metzler Lexikon Literatur- und Kulturtheorie. Stuttgart: Metzler.

Nünning, Ansgar and Andreas H. Jucker. 1999. Orientierung Anglistik/Amerikanistik. Was sie kann, was sie will. Hamburg: Rowohlt.

Nünning, Vera and Ansgar Nünning. 2001. Grundkurs anglistisch-amerikanistische Literaturwissenschaft. Stuttgart: Klett.

Osinski, Jutta. 1998. Einführung in die feministische Literaturwissenschaft. Berlin: Erich Schmidt.

Pordzik, Ralph. 2002. "After the Linguistic Turn. Neo-Pragmatist Theories of Reading and the Interpretation of Modern Literature." AAA 27.1: 3-13.

Preminger, Alex et al. 1993. The New Princeton Encyclopedia of Poetry and Poetics. Princeton, N.J.: Princeton University Press.

Robbins, Ruth. 2000. Literary Feminisms. London : St. Martin’s Press.

Saussure, Ferdinand de. 1959. Course in General Linguistics. New York: MacGraw-Hill.

Scaif, Ross. A Glossary of RhetoricalTerms with Examples:

Schweikle, Günther and Irmgard Schweikle, eds. 1990. Metzler Literaturlexikon. Begriffe und Definitionen. Stuttgart: Metzler.

Seeber, Hans Ulrich, ed. 1999. Englische Literaturgeschichte. Stuttgart/Weimar: Metzler.

Tillyard, E.M.W. 1944. The Elizabethan World Picture. London: Macmillan.

Todorov, Tzvetan. 2000 [1976]. "The Origin of Genres." Modern Genre Theory. Ed. David Duff. Harlow: Longman: 193-208.

Warning, Rainer, ed. 1975. Rezeptionsästhetik. München: Fink.

Watt, Ian. 1957. The Rise of the Novel. Studies in Defoe, Richardson and Fielding. London: Chatto and Windus.

Young, Robert J.C. 2000. Postcolonialism. A Historical Introduction. Oxford: Blackwell.

Zapf, Hubert. 1991. Kurze Geschichte der anglo-amerikanischen Literaturtheorie. München: Fink.



Ackroyd, Peter. 1993 [1989]. First Light. Harmondsworth: Penguin.

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Brontë, Anne. 1993 [1848]. The Tenant of Wildfell Hall. Ed. Herbert Rosengarten. Oxford, New York: OUP.

Brontë, Charlotte. 1966 [1847]. Jane Eyre. Ed. Q.D. Leavis. Harmondsworth: Penguin.

Buchan, John. 1937 [1935]. The House of the Four Winds. London: Thomas Nelson.

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Fielding, Henry. 1985 [1749]. Tom Jones. London: Penguin.

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Hemingway, Ernest. 1977. “The Snows of Kilimanjaro.” The Snows of Kilimanjaro and Other Stories. London: TriadGrafton: 7-30.

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Joyce, James. 1985 [1914]. Dubliners. London: Granada.

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Lennox, Charlotte. 1989 [1752]. The Female Quixote. Oxford, New York: OUP.

Munro, Hector Hugh. 1993. “Sredni Vashtar.” The Complete Stories of Saki. Hertfordshire: Wordsworth: 99-102.

Orwell, George. 1989 [1945]. Animal Farm. Harmondsworth: Penguin.

Quintilian. 1966-69. Institutia Oratorio. Trans. H.E. Butler. London: Heinemann.

Rogers, Pat, ed. 1994. Alexander Pope: A Selection of His Finest Poems. Oxford, New York: OUP.

Rowling, J.K. 2000. Harry Potter and the Goblet of Fire. London: Bloomsbury.

Rowling, J.K. 1998. Harry Potter and the Chamber of Secrets. London: Bloomsbury.

Sayers, Dorothy L. 1981 [1936]. Gaudy Night. London: Prior.

Scott, Walter. 1995 [1817]. Rob Roy. London: Penguin.

Spark, Muriel. 1961. The Prime of Miss Jean Brodie. London: Macmillan.

Spenser, Edmund. 1977 [1596]. The Faerie Queene. Ed. A.C. Hamilton. London: Longman.

Sterne, Laurence. 1992 [1759-67]. The Life and Opinions of Tristam Shandy, Gentleman. Ed. Ian Campbell Ross. Oxford: OUP.

Swift, Jonathan. 1941. Gulliver’s Travels, The Tale of a Tub, Battle of the Book. Oxford: OUP.

Thackeray, William. 1992 [1848]. Vanity Fair. Hertfordshire: Wordsworth.

Tolkien, J.R.R. 1991 [1954]. The Lord of the Rings. London: HarperCollins

Wilde, Oscar. 1986 [1891]. The Picture of Dorian Gray. Harmondsworth: Penguin.

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Woolf, Virginia. 1992 [1925]. Mrs Dalloway. Ed. Claire Tomalin. Oxford: OUP.

Woolf, Virginia. 1992 [1928]. Orlando. Ed. Rachel Bowlby. Oxford, New York: OUP.

Woolf, Virginia. 1983 [1933]. Flush: A Biography. London: Hogarth.

Secondary Sources:

Aristotle. 1953. Poetics; Longinus On the Sublime; Demetrius On Style. Trans. W. Hamilton Fyfe. London: Heinmann.

Bonheim, Helmut. 1982. The Narrative Modes: Techniques of the Short-Story. Cambridge: Brewer.

Bonheim, Helmut. 1990. Literary Systematics. Cambridge: Brewer.

Brooks, Cleanth and Robert Penn Warren. 1943. Understanding Fiction. New York: Appleton-Century-Crofts.

Burgess, Anthony. 1973. Joysprick: An Introduction to the Language of James Joyce. London: Deutsch.

Chatman, Seymour. 1978. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca : Cornell University Press.

Cohn, Dorrit. 1978. Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton, NJ: Princeton UP.

Fabian, Bernhard, ed. 1998. Ein anglistischer Grundkurs: Einführung in die Literaturwissenschaft. Berlin: Erich Schmidt.

Fielitz, Sonja. 2001. Roman: Text & Kontext. Berlin: Cornelsen.

Forster, E.M. 1927. Aspects of the Novel. London: Edward Arnold.

Fricke, Harald and Rüdiger Zymner. 1996. Einübung in die Literaturwissenschaft. Paderborn: Schöningh.

Genette, Gérard. 1980. Narrative Discourse. Trans. Jane E. Lewin. Oxford: Blackwell.

Hamburger, Käte. 1973. The Logic of Literature. Trans. Marilynn J. Rose. Bloomington, IN: Indiana UP.

Jahn, Manfred. 2002. "Poems, Plays, and Prose: A Guide to the Theory of Literary Genres."

James, Henry. 1948. The Art of Fiction and Other Essays. New York: OUP.

James, William. 1982. Psychology. London: Macmillan.

Korte, Barbara. 1985. “Tiefen- und Oberflächenstrukturen in der Narrativik.” Literatur in Wissenschaft und Unterricht 18 (1985): 331-352.

Lotman, Jurij M. 1972. Die Struktur literarischer Texte. München: Fink.

McGann, Jerome.1991. The Textual Condition. Princeton: PUP.

Nischik, Reingard M. 1981. Einsträngigkeit und Mehrsträngigkeit der Handlungsführung in literarischen Texten: Dargestellt insbesondere an englischen, amerikanischen und kanadischen Romanen des 20. Jahrhunderts. Tübingen: Narr.

Nischik, Reingard M. 1991. Mentalstilistik: Ein Beitrag zur Stiltheorie und Narrativik: Dargestellt am Erzählwerk Margret Atwoods. Tübingen: Narr.

Nünning, Ansgar et al., eds. 1998. Unreliable Narration: Studien zur Theorie und Praxis unglaubwürdigen Erzählens in der englischsprachigen Erzählliteratur. Trier: WVT.

Pascal, Roy. 1977. The Dual Voice: Free Indirect Speech and its Functioning in the Nineteenth-century European Novel. Manchester : Manchester UP.

Pfister, Manfred. 1988. Das Drama: Theorie und Analyse. München: Fink.

Rimmon-Kenan, Shlomith. 1983. Narrative Fiction : Contemporary Poetics. London: Routledge.

Schneider, Ralf. 2000. Grundriß zur kognitiven Theorie der Figurenrezeption am Beispiel des viktorianischen Romans. Tübingen: Stauffenburg.

Stanzel, Franz K. 1984. A Theory of Narrative. Trans. Charlotte Goedsche. Cambridge: Cambridge UP.

Wenzel, Peter. 1998. “Der Text und seine Analyse.” Ein anglistischer Grundkurs. Ed. Bernhard Fabian. Berlin: Erich Schmidt: 149-203.


Primary Texts:

Beckett, Samuel. 1965. Waiting for Godot. A Tragicomedy in Two Acts. London/Boston: Faber.

Bond, Edward. 1965. Saved. London: Methuen.

Gibbons, Brian, ed. 1971. William Congreve. The Way of the World. London: Ernest Benn.

O’Casey, Sean. 1994. Three Plays: Juno and the Paycock, The Shadow of a Gunman, The Plough and the Stars. London: Macmillan Papermac.

Osborne, John. 1957. Look Back in Anger. A Play in Three Acts. London/Boston: Faber.

Salgado, Gamini, ed. 1965. Three Jacobean Tragedies. Harmondsworth: Penguin.

Shaffer, Peter. 1974. Equus. Harmondsworth: Penguin.

Shakespeare, William. 1994. Complete Works. Ed. Peter Alexander. Glasgow: HarperCollins.

Shakespeare, William. 1982. Hamlet. Ed. Harold Jenkins. Arden Edition. London: Methuen.

Shakespeare, William. 1981. King Richard III. Ed. Anthony Hammond. Arden Edition London/New York: Routledge.

Wilde, Oscar. 1994. Complete Works. Ed. Merlin Holland. Glasgow: HarperCollins.

Secondary Sources:

Asmuth, Bernard. 1997. Einführung in die Dramenanalyse. Stuttgart: Metzler.

Banham, Martin, ed. 1995. The Cambridge Guide to Theatre. Cambridge: CUP.

Bevington, David. 1996. "‘But We Are Spirits of Another Sort’: The Dark Side of Love and Magic in A Midsummer Night’s Dream. " New Casebooks. A Midsummer Night’s Dream. Ed. Richard Dutton. Basingstoke/London: Macmillan: 24-35.

Berry, Ralph. 1985. Shakespeare and the Awareness of the Audience. London: Macmillan.

Bradbrook, Muriel C. 1963. The Growth and Structure of Elizabethan Comedy. Harmondsworth: Penguin.

Bradbrook, Muriel C. 1980. Themes and Conventions of Elizabethan Tragedy. Cambridge: CUP.

Brooke, Nicholas. 1979. Horrid Laughter in Jacobean Tragedy. London: Open Books.

Brown, John Russell, ed. 1995. The Oxford Illustrated History of Theatre. Oxford/New York: OUP.

Corrigan, Robert W. 1992. The World of Theatre. Madison: Brown and Benchmark.

Erzgräber, Willi. 1994. “Shakespeares Hamlet als Rachetragödie.” Freiburger Universitätsblätter 125.3: 7-20.

Esslin, Martin. 1974. The Theatre of the Absurd. London: Methuen.

Esslin, Martin. 1977. An Anatomy of Drama. New York: Hill and Wang.

Fielitz, Sonja. 1995. “Grundfragen der Dramenanalyse.” Handbuch Englisch als Fremdsprache. Eds. Rüdiger Ahrens et al. Berlin: Erich Schmidt: 309-313.

Fielitz, Sonja. 1999. Drama. Text und Theater. Berlin: Cornelsen.

Gianakaris, Constantine John. 1977. “Theatre of the Mind in Miller, Osborne and Shaffer.” Renascence 30.1: 33-41.

Goetsch, Paul. 1992. Bauformen des modernen englischen und amerikanischen Dramas. Darmstadt: Wissenschaftliche Buchgesellschaft.

Goetsch, Paul. 1996. “Die Grenzen der Macht: Prosperos dialogisches Verhalten in The Tempest.” Dialogische Strukturen. Dialogic Structures. Festschrift für Willi Erzgräber zum 70. Geburtstag. Eds. Thomas Kühn and Ursula Schaefer. Tübingen: Gunter Narr: 69-88.

Goldstone, Herbert. 1982. Coping with Vulnerability. The Achievement of John Osborne. New York: University of America Press.

Gurr, Andrew. 1996. The Shakespearian Playing Companies. Oxford: OUP.

Gurr, Andrew and Mariko Ichikawa. 2000. Staging in Shakespeare’s Theatres. Oxford: OUP.

Hartnoll, Phyllis and Peter Found, eds. 1996. The Concise Oxford Companion to the Theatre. Oxford: OUP.

Hirst, David L., ed. 1985. Edward Bond. New York: Grove Press.

Kaufmann, Ralph James, ed. 1961. Elizabethan Drama: Modern Essays in Criticism. Oxford: OUP.

Kesting, Marianne. 1989. Das epische Theater: Zur Struktur des modernen Dramas. Stuttgart: Kohlhammer.

Klotz, Volker. 1999. Geschlossene und offene Form im Drama. München: Carl Hanser.

Krieger, Elliot. 1996. “A Midsummer Night’s Dream.” New Casebooks. A Midsummer Night’s Dream. Ed. Richard Dutton. Basingstoke/London: Macmillan: 38-60.

Krieger, Gottfried. 1998. “Dramentheorie und Methoden der Dramenanalyse”. Literaturwissenschaftliche Theorien, Modelle und Methoden. Eine Einführung. Ed. Ansgar Nünning. Trier: Wissenschaftlicher Verlag Trier: 69-92.

McAlindon, Thomas. 1986. English Renaissance Tragedy. Basingstoke: Macmillan.

Müller, Klaus-Peter. 1993. Englische Theater der Gegenwart. Geschichte(n) und Strukturen. Tübingen: Narr.

Pfister, Manfred. 2001. Das Drama. Theorie und Analyse. München: Fink.

Platz-Waury, Elke. 1999. Drama und Theater: Eine Einführung. Tübingen: Narr.

Plett, Heinrich F. 1982. Englisches Drama von Beckett bis Bond. München: Fink.

Richmond, Hugh M. 1989. King Richard III. Manchester/New York: Manchester UP.

Rose, Mark. 1993. “Hamlet and the Shape of Revenge.” Shakespeare’s Middle Tragedies. A Collection of Critical Essays. Ed. David Young. Englewood Cliffs, NJ: Prentice Hall: 7-17.

Russo, Anna. 1998. Wege des epischen Theaters. Bertold Brecht und Dario Fo. Stuttgart: Metzler.

Schabert, Ina, ed. 2000. Shakespeare-Handbuch. Die Zeit. Der Mensch. Das Werk. Die Nachwelt. Stuttgart: Kröner.

Stamm, Rudolf. 1954. Shakespeare’s Word-Scenery. Zürich: Polygraphischer Verlag.

Suerbaum, Ulrich. 1996. Shakespeares Dramen. Tübingen/Basel: Francke Verlag.

Tomarken, Edward, ed. 1997. As You Like It from 1600 to the Present. Critical Essays. New York/London: Garland.

Trussler, Simon. 1969. John Osborne. Harlow: Longman.

Trussler, Simon, ed. 2000. The Cambridge Illustrated History of British Theatre. Cambridge: CUP.


Primary Texts:

References for primary texts have been abbreviated. Most of the poems quoted can be found in standard anthologies such as the Norton Anthology of Poetry or The New Oxford Book of English Verse. In addition, the following have been used:

Housman, A.E. 1898. A Shropshire Lad. London: Richards Press.

Pope, Alexander. 1965. The Poems. Ed. John Butt. London: Methuen.

Eliot, T.S. 1971. The Complete Poems and Plays: 1909-1950. New York: Harcourt Brace & World.

Lonsdale, Roger, ed. 1987. The New Oxford Book of Eighteenth-Century Verse. Oxford: OUP.

Butler, Samuel. 1761 [1663-64]. Hudibras: In Three Parts: Written in the Time of the Late Wars. London: D. Browne etc.

Scott, Walter. 1904. Poetical Works. Ed. J. Logie Robertson. London: Henry Frowde.

Cowper, William. 1968. Poetry and Prose. Ed. Brian Spiller. London: Rupert Hart-Davis.

Secondary Sources:

Attridge, Derek. 2000 [1995]. Poetic Rhythm: An Introduction. Cambridge: CUP.

Bode, Christoph. 2001. Einführung in die Lyrikanalyse. Trier: WVT.

Braak, Ivo. 2001. Poetik in Stichworten: Literaturwissenschaftliche Grundbegriffe: Eine Einführung. Eighth rev. ed. Berlin: Borntraeger.

Brooks, Cleanth and Robert Penn Warren. 1946. Understanding Poetry: An Anthology for College Students. New York: Holt.

Brooks, Cleanth. 1966. The Well Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, Brace & World.

Burdorf, Dieter. 1997. Einführung in die Gedichtanalyse. Second rev. ed. Stuttgart: Metzler.

Chatman, Seymour. 1965. A Theory of Meter. The Hague: Mouton.

Chatman, Seymour. 1968. An Introduction to the Language of Poetry. Boston: Houghton Mifflin.

Frank, Horst Joachim. 1993. Wie interpretiere ich ein Gedicht?: Eine methodische Anleitung. Second ed. Tübingen: Francke.

Fussell, Paul Jr. 1967. Poetic Meter and Poetic Form. New York: Random House.

Haefner, Gerhard. 1997. Englische Lyrik vom zweiten Weltkrieg bis zur Gegenwart: Konzepte, Themen, Strukturen. Heidelberg: Winter.

Haverkamp, Anselm, ed. 1996. Theorie der Metapher. Second ed. Darmstadt: Wissenschaftliche Buchgesellschaft.

Hawkes, Terence. 1980. Metaphor. Repr. London: Methuen.

Hobsbaum, Philip. 1996. Metre, Rhyme and Verse Form. London: Routledge.

Hollander, John. 2000. Rhyme’s Reason: A Guide to English Verse. New Haven: Yale.

Hühn, Peter. 1995. Geschichte der englischen Lyrik. 2 vols. Tübingen: Francke.

Jones, Robert T. 1986. Studying Poetry: An Introduction. London: Arnold.

Lakoff, George and Mark Johnson. 1992. Metaphors We Live By. Chicago: Univ. of Chicago Press.

Lakoff, George and Mark Turner. 1989. More Than Cool Reason: A Field Guide to Poetic Metaphor. Chicago: Univ. of Chicago Press.

Leech, Geoffrey. 1969. A Linguistic Guide to English Poetry. London: Longman.

Ludwig, Hans-Werner. 1990. Arbeitsbuch Lyrikanalyse. Tübingen: Narr.

Meller, Horst. 1985. Zum Verstehen englischer Gedichte. München: Fink.

Miller, Ruth and Robert A. Greenberg. 1993. Poetry: An Introduction. Basinstoke: Macmillan.

Müller-Zettelmann, Eva. 2000. Lyrik und Metalyrik: Theorie einer Gattung und ihrer Selbstbespiegelung anhand von Beispielen aus der englischen und deutschsprachigen Dichtkunst. Heidelberg: Winter.

Plett, Heinrich F. 1991. Einführung in die rhetorische Textanalyse. Hamburg: Helmut Buske.

Plett, Heinrich F. 2000. Systematische Rhetorik: Konzepte und Analysen. München : Fink.

Preminger, Alex and T.V.F. Brogan, eds. 1994. The New Princeton Encyclopedia of Poetry and Poetics. Princeton, N. J.: Princeton UP.

Richards, I.A. 1929. Practical Criticism: A Study of Literary Judgment. New York: Harcourt Brace Jovanovich.

Roberts, Philip Davies. 1988. How Poetry Works. Harmondsworth: Penguin.

Schipper, Jakob. 1985. Grundriß der englischen Metrik. Wien: Braumüller.

Sorg, Bernhard. 1999. Lyrik interpretieren: Eine Einführung. Berlin: Erich Schmidt.

Stallworthy. Jon. 1996. “Versification.” The Norton Anthology of Poetry. Eds. Margaret Ferguson et al. Third ed. New York: Norton: lxi – lxxx.

Steele, Timothy.1999. All the Fun’s in How You Say a Thing: An Explanation of Meter and Versification. Athens, GA: Ohio University Press.

Tynjanov, Jurji N. 1977. Das Problem der Verssprache: Zur Semantik des poetischen Texts. München: Fink.